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Happy Birthday, Edgar Barrier!

Life in motion pictures was never easy for actor Edgar Barrier.  It wasn’t that the work was difficult—it’s that whenever Edgar appeared in a movie, it was even money that he wouldn’t make it to the closing credits.  “He has experienced horrible deaths by suicide, stabbing, fire, gunshot wounds,” noted Radio Life in 1945.  Radio was a little kinder to the man born in New York City on this date in 1907. Sure, Barrier still practiced his trademark villainy, but he also received an opportunity to play the hero now and then (as witnessed in his brief stint as Simon Templar on The Adventures of the Saint).

Edgar Barrier developed his love of acting in childhood.  When he enrolled at Columbia University after high school graduation, he purposely arranged his class schedule to ensure little conflict with matinees.  Barrier worked with many stage legends—Alfred Lunt and Lynn Fontanne, Maude Adams, Helen Hayes, etc.—but when he was spotted in a production of Love from a Stranger by a brash youngster named Orson Welles, his future success in radio was assured.  Welles signed him for his stock company, and Edgar soon began broadcasting each week on CBS’ The Mercury Theatre on the Air.  Barrier remained with the program when it secured a sponsor and became Campbell Playhouse — and when Orson revived the series in 1946 as The Mercury Summer Theatre, Barrier was still with the organization.  Welles would also cast Edgar in films, including Journey Into Fear (1943) and Macbeth (1948 – as Banquo). The actor also appeared in Welles’ Too Much Johnson (1938), the director’s first cinematic effort (which was considered lost for many years until it was rediscovered in 2013).

His participation in Johnson persuaded Edgar Barrier to remain in Hollywood, where he soon found work in additional motion pictures.  His dark complexion and proficiency in languages made him the ideal candidate for parts that required mysterious and sinister backgrounds. Barrier played such roles in movies like Arabian Nights (1942) and Cobra Woman (1943).  Edgar’s a good guy in the 1943 version of The Phantom of the Opera (as a policeman), but one of his best-known silver screen turns was as the villainous Erich Kreiger in Game of Death (1945)—a remake of the 1932 version of The Most Dangerous Game.  Barrier is only a voice in Sherlock Holmes and the Voice of Terror (1942), but he also graced the casts of the 1943 serial The Adventures of Smilin’ Jack and features like Tarzan and the Leopard Woman (1946), To the Ends of the Earth (1948), The Secret of St. Ives (1949), Last of the Buccaneers (1950), and Cyrano de Bergerac (1950).

Edgar Barrier’s 13-week gig—from January 4 to March 29, 1945—as “the Robin Hood of modern crime” on The Adventures of the Saint for Bromo Seltzer over NBC was one of his few leading roles in the aural medium.  Suffice it to say, Barrier was a busy actor; working for leading radio lights such as Norman Corwin and Arch Oboler, and appearing on familiar dramatic anthologies like The Bakers’ Theatre of Stars, Family TheatreFrontier TheatreThe General Electric TheatreThe Hallmark Hal of FameHallmark PlayhouseThe Lady Esther Screen Guild TheatreThe Lux Radio TheatreThe Molle Mystery Theatre, and On Stage.  In addition, Edgar made the rounds on The Adventures of Philip MarloweBroadway’s My BeatThe CBS Radio WorkshopChandu the MagicianCrime ClassicsEscapeFort LaramieThe Green LamaGunsmokeHave Gun – Will TravelJeff Regan, InvestigatorThe Line-UpThe Mayor of the TownPursuitRichard Diamond, Private Detective, Rogers of the GazetteRomance, SuspenseThe Whistler, and Yours Truly, Johnny Dollar.

Edgar Barrier continued to work in motion pictures throughout the 1950s. He appears uncredited (as Professor McPherson) in The War of the Worlds (1953), and added features like The Whip Hand (1951), Prince of Pirates (1953), The Stand at Apache River (1953), Count the Hours! (1953), The Giant Claw (1957), and On the Double (1961) to his resume.  Barrier also garnered small screen credits, appearing in several episodes of Zorro (as Don Cornelio Esperon), and guest starring on favorites such as 77 Sunset StripBroken ArrowHawaiian EyeThe MillionaireMy Little MargieThe Rebel, and Wagon Train.  Sadly, Edgar’s contributions to the entertainment world came to an abrupt end when a heart attack took his life in 1964. He was 57 years old.

From the time he made his motion picture debut as an elderly Asian in a 1930 French film, Le spectre vert, Edgar Barrier engaged in a variety of ethnic characterizations that included Frenchmen, Spaniards, Turks, and Germans—he attributed his foreign language fluency to his mother, a talented linguist.  Barrier once remarked in an interview: “I speak some German, some Russian, pretty good Spanish, pretty good French.  And fair English.”  That last statement was Edgar engaging in a little levity, and Radio Spirits has the proof. The birthday boy is speaking spectacularly on the following collections of The Adventures of Philip Marlowe (Lonely CanyonsNight TideSucker’s Road), Broadway’s My Beat (Dark WhispersGreat White WayThe Loneliest Mile), Chandu the Magician, Crime Classics (The Hyland Files), Escape (Escape Essentials, Peril), Fort LaramieGunsmoke (Killers & Spoilers), Lights Out (Later Than You ThinkLights Out, Everybody), The New Adventures of Sherlock Holmes (Cue for Murder), and Yours Truly, Johnny Dollar (Expense Account Submitted, Fabulous FreelanceMedium Rare MattersWayward Matters).  Happy birthday, Mr. Barrier!


  1. Mike Barrier says:

    I just came across “Happy Birthday, Edgar Barrier”. It was a wonderful experience reading it because I am Edgar Barrier’s son, Michael Barrier, born in 1933, and the summary of his acting career was like a summary of my childhood memories. “Too Much Johnson” was made just before we moved from New York to California, where I entered first grade at Gardner Street School in Hollywood, then continued through Hollywood High and UCLA. The first time I visited a movie studio was when my dad was making “Arabian Nights” with Sabu, Maria Montez and Jon Hall, and virtually everything in your article triggered off long forgotten flashbacks.

    Thank you Ivan Shreve for the well written article. You can’t imagine how I enjoyed it.
    Sincerely, Mike Barrier

    • JUDITH ALLER says:

      Dear Michael Barrier,

      I’ve been trying for a long time to find you. I am Judith the daughter of The Beast Five Fingers, the piano legend Victor Aller who with Ester Aller formed a lasting friendship with your beloved parents whom I knew quite well through the years here in Los Angeles. Both my daughters attended Garner Elementary and almost weekly I drive by the home you lived in with your parents… Please and kindly get in touch with me. I would like to talk with you about your parents. Your mother did a great deed for me not long before she passed away. And I will never forget your Dad and his eyes looking down at me on a New Year’s Eve at my home. Sending you love and good wishes, Judith Aller

  2. i was delighted to read your interesting, informative and well researched bio of Edgar Barrier. His son, Mike Barrier, and I are cousins but are as close as brothers: we’re about the same age; grew up together from New York to Hollywood; attended the same schools; and had fathers’ who were radio and film actors. I remember Edgar possessing good looks and immense charm and being both a gentle man and a gentleman. Mike and I would often run around their Hollywood home playing together, none too quietly. Edgar, script in hand, would often be memorizing his latest part and Mike’s mother, Ernestine ,nee de Becker, would scold us. Edgar would always intervene saying something like, “It’s all right. They’re having such fun.” And he was generous and sharing during those fruitful Hollywood years: he brought two aged, ailing relatives of Ernestine’s to Hollywood and supported them. Years later, as a young husband wanting, at least in part, to impress his bride, I took her to visit Edgar. Although we ‘dropped in’ unannounced he was warm and welcoming and engaged us with the same charm I remembered from childhood. I didn’t know then that he was ill and near the end of his life. Your article revived many childhood memories for me as it did for ‘Cousin Mike’. Thank you.

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